Technical Details: Canon 5d MarkII, Canon 24-70mm @ 24mm, ISO100, F/16, 20 sec. exposure, Singh Ray Warming Polarizer
Welcome to today’s post. I just completed my 2011 Lake Superior Landscape photography workshop. My next post will be a tribute to the wonderful participants and images they created, but today’s post is about the process we put them through that resulted in so many wonderful images. I’m going to call it “stretch.”
This year we focused on scouting locations as part of developing students’ approach to landscape photography. This is an exercise very few had been through, let alone taught to do in other workshops. My assistant, Robert Clark, also wrote about this in his blog (http://roberthclarkphotographyblog.com/ ). Many of the students wanted practice shooting moving water so we went up on Glen Avon, on the Beaver River. I’ve shot and previously posted about this very special, but very challenging, landscape. With many potential perspectives, severe contrast on jagged rocks in evening light, difficulty working with the variety of lines created by moving water, getting exposure just right for all of these issues – no wonder the students struggled with compositions. It really stretched their mind’s eye to see better. We scouted it in hard light, shot it in evening light, and returned to shoot it in morning light so students could get the full view of how to approach and see a landscape. In evening light the water compositions are back into the sunset, giving rise to very dark shadows on downstream faces of the rocks and glare coming off the water and into the camera. Students were having difficulty composing such busy, high contrast scenes. In morning light the upstream compositions were all in even, soft light, allowing for more gentle, eye-pleasing perspectives and by then they were very familiar with the landscape. Both Robert and I were amazed by the progression of images from scout to morning light.
Today’s image was in morning light, a shot I saw during the scout in the previous evening.