Silver Bay Shore, Silver Bay, MN

Technical Details:  Canon 1Ds MkII, Canon 16-35mm @ 16mm, ISO100, F/14, 0.3 second exposure, 3 brackets 2stops, Singh Ray 2 stop Rev. ND, Singh Ray Warming Polarizer

Welcome to today’s post.  Last week I ran my Lake Superior workshop. Students were instructed on the concept of dynamic compositions and techniques used in creating them.  One tool is the a strong foreground, and sky that connects with the foreground, in a way that creates a whole image.  The presence of a strong horizon line and a disconnect between sky and foreground can inadvertently create two different images from one.  Generally, this is not a good thing.  This is a particularly challenging tool to work with in landscape photography and really stretches one’s ability to see and to use a lens that creates/aides the relationship between foreground and sky.

Dynamic compositions are created by capturing dynamic color combinations, use of leading and diagonal lines, movement of light,  strong foreground/middleground/background relationships.  Dynamic compositions can take your mind’s eye on a visual trip through the image.  These aren’t requirements for an image to succeed, just helpful tools to work with along the way.  In today’s image, I would have loved some additional dramatic twilight color in the sky, but it just never came around, so I get to go back and try again!  I did enjoy the shape relationship and visual movement created by both the foreground rocks and cloud structure.  For better or worse, I don’t generally shy away from tricky compositions and in this case I put on my rubber boots and risked limb and photo gear, traversing very slippery rocks, to find today’s image.  Thanks to Robert Clark for the great capture.

 

Related posts:

  1. Silver Bay to Stoney Point to Lester River
  2. Silver Bay Revisited
  3. Stretch – Beaver River, Beaver Bay MN
  4. (V) (I) Landscape Photography Tutorial: Duluth Harbor Black and White
  5. Avon Glen
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